By Reynaldo Anderson,Charles E. Jones,Tiffany E. Barber,Nettrice Gaskins,Ricardo Guthrie,Grace Gipson,Ken McLeod,tobias c. van Veen,Andrew Rollins,Lonny Avi Brooks,David DeIuliis,Jeff Lohr,Esther Jones,Qiana Whitted

The rules and practices concerning afrofuturism have existed for many of the twentieth century, specially within the north American African diaspora group. After Mark Dery coined the notice "afrofuturism" in 1993, Alondra Nelson as a member of an internet discussion board, besides different individuals, started to discover the preliminary terrain and highbrow underpinnings of the idea that noting that “AfroFuturism has emerged as a time period of comfort to explain research, feedback and cultural creation that addresses the intersections among race and technology.” Afrofuturism 2.0: the increase of Astroblackness represents a transition from earlier principles regarding afrofuturism that have been shaped within the overdue twentieth century round problems with the electronic divide, song and literature. Afrofuturism 2.0 expands and broadens the dialogue round the thought to incorporate faith, structure, communications, visible artwork, philosophy and displays its present development as an rising worldwide Pan African artistic phenomenon.

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Afrofuturism 2.0: The Rise of Astro-Blackness by Reynaldo Anderson,Charles E. Jones,Tiffany E. Barber,Nettrice Gaskins,Ricardo Guthrie,Grace Gipson,Ken McLeod,tobias c. van Veen,Andrew Rollins,Lonny Avi Brooks,David DeIuliis,Jeff Lohr,Esther Jones,Qiana Whitted


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